Fine Art Photography

Over the past four years I have been very fortunate to have my photography exhibited in a variety of solo and group exhibits throughout Maine. My art also hangs in some of Portland’s largest offices.

Refined Resurgence

Refined Resurgence explores progress and beauty in two contexts: South Portland’s petroleum tanks and the expanding cityscape of the Portland peninsula. With these photographs my hope is to provide a new way to view these familiar mundane environments that many consider eyesores - perhaps to provoke the viewer to see beauty and art in their own lives and environment.

The photographs were created during a two-year period beginning in the summer of 2019. I lived in Portland for 16 years and was witnessing the transformation of the peninsula and was compelled to document the rapid changes. The last day of 2019, I moved to South Portland into my first home which led me to photographing the tanks. I had always been intrigued how the tanks blended into the landscape creating a unique juxtaposition of the tanks amongst schools and residential neighborhoods.

Mackworth Island Transformed: Rocks Reimagined

By using the popular location of the rock formations near the pier on Mackworth Island in Falmouth as subject matter, Greenway’s nineteen photographs visualize imaginative landscapes by detailing the island’s geology.

Focusing on the micro-ecology of the island, and by transforming the familiar and dramatic coastline into an abstraction of color, texture, pattern, and form, Greenway’s photographs reimagine a recognizable landscape. The photographs thus transform the overarching space into detailed and abstracted images that reflect personal exploration as an escape from literal reality.

Keeping My Head Above It All

Keeping My Head Above It All visually explores the concept of social and spatial distancing prompted by the Covid-19 global pandemic. Using a bird’s-eye view from the position on the tops of parking garages and upper floors of downtown Portland buildings, the series of photographs embodies tension between presence and absence as we as a community learn to physically and psychologically navigate these new realities.

In context of the virus itself, as well as the pause on public life, the photographs represent the challenge of visually rendering what is in fact invisible. Such invisible forces include dynamics such as personal and societal pandemic fear, misinformation, divisiveness and economic uncertainty. The majority of the photographs were created in the Spring of 2020.

The photographs are available for purchase on aluminum or as archival prints 

Please click here to purchase a print.

Aluminum Prints

The photographs are printed on aluminum through the process of dye sublimation. Because the image is infused into the surface and not on it, the images will take on an almost magical luminescence. The mid-gloss print surface provides intense vibrant colors and detail with a reduced glare surface. A 3/4″ inset frame on the back of each photograph creates the appearance the image is floating away from the wall when hung. Each print features a wire hangar making the installation process simple.

Like all photographs, the prints need to avoid constant direct sunlight. The ultra-hard scratch-resistant surface is waterproof/weatherproof and can be cleaned easily with water. It is recommended to use a clean, lint-free cloth to wipe off the print.

Aluminum print sizes:

16” x 24” – $800     
24” x 36” – $1,200     
30” x 45” – $1,500

Larger prints also available                                                                                                         

Archival Photography Print

An archival photography print matted in an acid free single white core mat signed by the artist and placed in a Premium Eco Clear Bag. Ready for framing.

Archival print sizes:

08” x 12″ – $260     
12” x 18” – $375    
16” x 24” – $475     
20” x 30” – $575     
24” x 36” – $675

Larger prints also available