Creating my art photography is my favorite thing to do. The location or subject really doesn’t matter. Creating the images is a freeing mental escape that I try to do as much as possible. Over the past three years I have been very fortunate to have my photography exhibited in a variety of solo and group exhibits throughout Maine. My art also hangs in some of Portland’s largest offices.
The fine art photography is available to purchase on a variety of archival photo print sizes and on aluminum. Please email me to inquire about my photography. I can customize your art to fit your needs.
By using the popular location of the rock formations near the pier on Mackworth Island in Falmouth as subject matter, Greenway’s nineteen photographs visualize imaginative landscapes by detailing the island’s geology.
Focusing on the micro-ecology of the island, and by transforming the familiar and dramatic coastline into an abstraction of color, texture, pattern, and form, Greenway’s photographs reimagine a recognizable landscape. The photographs thus transform the overarching space into detailed and abstracted images that reflect personal exploration as an escape from literal reality.
Focusing on the micro-ecology of the island, and by transforming the familiar and dramatic coastline into an abstraction of color, texture, pattern, and form, Greenway’s photographs reimagine a recognizable landscape. The photographs thus transform the overarching space into detailed and abstracted images that reflect personal exploration as an escape from literal reality.
Keeping My Head Above It All visually explores the concept of social and spatial distancing prompted by the Covid-19 global pandemic. Using a bird’s-eye view from the position on the tops of parking garages and upper floors of downtown Portland buildings, the series of photographs embodies tension between presence and absence as we as a community learn to physically and psychologically navigate these new realities.
In context of the virus itself, as well as the pause on public life, the photographs represent the challenge of visually rendering what is in fact invisible. Such invisible forces include dynamics such as personal and societal pandemic fear, misinformation, divisiveness and economic uncertainty. The majority of the photographs were created in the Spring of 2020.
In context of the virus itself, as well as the pause on public life, the photographs represent the challenge of visually rendering what is in fact invisible. Such invisible forces include dynamics such as personal and societal pandemic fear, misinformation, divisiveness and economic uncertainty. The majority of the photographs were created in the Spring of 2020.
